Docking of the God’s “Misako corporal [want to hear this generation]

the nature is 1960s is seen before half-born painter, clearly not an as possible groupings from n/a and 1962, before 1961, n/a God (and dust) says is subjected to feel like little different from generations before and after, is what generation?

In the same year the elderly person is a Seiko Matsuda, and pommel peach this is heavy damage increasingly. Is later found in the weekly magazine but famous violent criminals… many.

Around the lower grade American cracker fashion Romper room’s older sister, is a generation sat palace of Ms. Natsumi creeps drinking skimmed milk just over a year.

I think generations with ambition and parents experiencing war child turned to the high-growth period homes, have things to their children that you want to.

May become spawn criminals with peculiar soil analysis, I so much in the environment “and beauty” that I have grown up.

intact “and beauty”, became a painter’s.

I have seen a very big structure and Mindy yamatane museum piece at the high school of to draw the Japanese painting by chance. Especially with or opposition was agonizing choices are not available.

And even made you is Japanese painting, painting material is suitable production of God?

Painting material that is was funny too difficult so far affected by water or air. Even if you use how much cannot surpass the material. Finish “line and sinker hataraku” and Yes are attaching it, however not away from charm. I think with water-based material is suitable.

Motif is human way.

I want modelling and to activate by disrupting the inspired human form feeling of the meats. I’d love visible “hurt” or “cold”, or physically feel what form it.

It is said is often abstract and, is in it are not abstract vaguely is going. Depicts the I want to rather visible form. However, it is also working with do not convey anywhere in my. … Even though I really want to tell.

Think piece born from such a conflict is transmitted quite intensely who travels. Impressive reaction?

Towards the relationship between stage he was told “luxury and misery”. The word remains very impression.

Is “distressing and gorgeous” and deep expression. Adjective is “miserable” is never a negative for the painting, and not the element is “luxury” that is not a compliment. People with words with the connotations reversed this everyday and keeping only the equilibrium between the two. How to recover once bad words or images transmitted by the words of one good image such as.

It is common to the two words there. “Misery” is also “luxury” is also now like to see.

more…. In what is now exhibition?

In the exhibition theme is “Lung”, “vessel”, and “skin”. The “brain” not interested because instead of human thought and feeling physical sense theme. From emotional or psychological it jammed on the brain is.

More direct and material things is the theme. Is that even though both have daily tend to and go to put flesh to realize in daily work.

I want to tell the “docking” of the body to the beholder. It is wanted and what is a “heart feel the meat, and embarrassed or emotional”docking”docking”. That is real life?

System information of exhibition
Date: 6/22
Venue: Gallery Satoru

System God’s “Misako career and exhibition records
Misako works of Nathan God??
To God’s “Misako page,??

Index of interviews??