hasegawa tohaku and japanese furniture

Furthermore Ishikawa huanichiyaisuto [kokoro] ‘beauty item walking’ #16

“count Spreading/displaying such as after the death 400 year special exhibition Hasegawa”

TV, newspaper and with magazine various media “Hasegawa etc count” of topic.
As for 2010, and so on year of turning point of count after the death 400 year.Large reminiscence spreading/displaying after the unprecedented stopping that is held with the Ueno forest it releases the work of the count at once, e.g., in the year when this it should commemorate, it exists on the country.

When it is invited cheerfully and that topic little by little become warm, walking faces to the Ueno forest in the te and others, as for there the line of the long snake.

The latest exhibition, it is “count work appreciation such as one person Hasegawa” of the painter of the reaching treasure which of course, remains in the Japanese history, but there is re-recognition of the “Japanese furniture” with another side.
because, field work of a painter of the era who was active hasegawa tohaku, most indoor space, interior design that is. That the occasionally person in power and the capability person being request main, the ceiling which forms the room, in furniture such as fittings and folding screen screen such as the wall and fusuma the picture was drawn.

hasegawa tohaku (1539~1610) is, born in nanao, ishikawa prefecture current. initially nobuharu and bid, buddhist paintings had been painted30and then proceeding to the capital in their thirties, buddhist painting, portrait, like flowers and birds, such as landscape paintingmaster painter draw the theme was divided into a. toyotomi hideyoshi, treasures of japanese painting has left from the azuchi-momoyama period and early tokugawa of sen no rikyu. the exhibition is now, national treasure, referred to as the pinnacle of ink painting figure folding screen pine forest (tokyo national museum) , treasures of wall paintings is touted as a national treasure midori fri maple wall attached figure (kyoto institute chishaku) first, representative work about80ken will be exhibited.

japanese furniture panoramic windows overlooking the natural world to resemble sliding door, folding screen

upon entering the exhibition hall at long last, there is another world. as can be seen in a long line of the hall before the building, imagine a crowd of street.
still, to slight little away work go into the world from their own and to appreciate, do not care. referred to as color, said line, the quality and quantity of work groups and free-wheeling spirit of tohaku delicate dwelling are highlight. but, numberthen in front of the masterpieces of, painting perspective and see the japanese furniture disarray is coming from the perspective of, this is interesting. (of course, the author would only, , )

unlike painting and mere, sliding door and folding screen, things such as the size of the wall paintings were drawn on the wall, oh, ~a the size of the room at the time i was quite relaxed, , , when the sliding door from a height of, height at the time of people i do not so big . style (style) and more (detail) is, also, are using the material to exaggerate colors and gorgeous world according to the taste of human gorgeous gorgeous hum – hum scold impressed with, such as.

there is room in the partition of sliding door is, become visible as a thin black edge of the window frame is cut like a view of the outside.
panoramic windows overlooking the natural world to resemble a folding screen and a sliding door, its grandeur, beauty, while it would be painted to hide the taste sensibility of a painter and sometimes also the workings of everyday. a sense, but like as well as magnificent ceiling frescoes in the temple walls and the west, that of japan such as sliding doors and joinery, more familiar furniture where to draw interesting.
in fact sliding door when i opened the, can enjoy the natural scenery of the garden and from there, always worshiped the nature, line of sight is there to admire.

admire force sensitivity and, that expressive power

japanese ink painting referred to as the highest national treasure in the corner of the last venue figure folding screen pine forest is, some.
pine forest takes a faint haze……there are natural spaces exist if you watch away.

there are many episodes concerning tohaku (in this exhibition, likeknow that there are anecdotes) is, anyway indoor (interior) elements that make up the space……utsushitori nature up to furniture and fittings, keenly aware of the high quality of japanese culture and its expressive power with a force sensitivity admire.

hideyoshi to rikyu, well beyond time and space, naoto nowpainter continue to attract hasegawa tohaku .
number of excellentis, people in the futurewill continue to shine in the hearts of.

death400special year hasegawa tohaku exhibition

tokyo 2010years2month10day~3month23day tokyo national museum

kyoto 2010years4month10day~5month9day kyoto national museum

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related links of this
tokyo national museum

kyoto national museum

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