junzo sakakura exhibition urban design from the chair (in

Always “tradition “of attitude and Japan which are learned” and the point of view which fuses function”

It continues to the first volume, it introduces the exhibition which Sakakura quasi- three works the string is solved.

Next year 1939, establishing the Sakakura quasi- three offices.It works importantly this time when the shadow of war approaches to also Japan, for Sakakura.
“Work of one stuffing” to be the colleague of the Paris era, the friend of life: Spring 1941 cooperates with charlotte perian exhibition “selective of opening traditional creative” spreading/displaying.
As for “work of two stuffing”, debut work: “Ih residence” (present domeine [dou] mikuni).
When the furniture exhibition corner which is the entrance it faces to the right hand this debut work: There is “a Ih residence” residential model.

You can view separate photograph collection 03 and are understood, but as for one coming it is conspicuous in south face of the residence, there is a “large door”.This “Ih residence” is characterized largely, the “large door” n/a The u ~ it is in this door, it groans.

This “large door”, in at this exhibition the real thing (reissue) it has displayed. to the left and proceed before the exhibition space90of state was held at a time large door coming into the eye is. this is, ka large door that, , ,

width3mheight2mfishing rotation axis of the wooden door. do not feel the size as it looks, the reason you can see approaching. wooden frame is then cut into triangles as shown to slim thin glass toward the direction. also, charged into a turnbuckle diagonally in the windows so the door does not fall in the weight (this window glass only2to layer, have put a turnbuckle between) that lifting the lower frame. but large joinery, delicate design detail is the size it does not feel. was she intended the creation of open space is the more nimble.

in fact, similar fittings (door, door, sliding door, such as a sliding door that) exists.

· · · · · · · · · · be released in a revolving door-shaped design of the wall of the room grit, 1938charlotte perriand years is, fishing stile lattice axis was designed for resort hotels, also, rim the glass extrusion (that of the frame to secure the glass) cross-sectional detail of the triangle was shaved to, suwa taisha karato that inspired. (fumitaka nishizawa) · · · · · · · · · · (quote: architect junzo sakakura exhibition catalog,38p) always from the door to this large learn attitude and and functionality of traditional japanese can glimpse the perspective of junzo sakakura fusing. i think, watch your eyes to new product always comes as a product of old was born without example of our predecessors, themselves and to try……regardless of the genre, some important perspective is also required in modern. now, large door right group of furniture has been exhibited as in concert with, most of our chairs turned into bitter dark brown color, it also made of bamboo be. this is exactly junzo sakakura, the third work . on the next page the third work , introducing the furniture of japan sincerely worked.

the third work is, japanese furniture sincerely worked

large door right group of furniture has been exhibited as in concert with, most of our chairs turned into bitter dark brown color, it also made of bamboo be. this is exactly junzo sakakura, the third work , japanese furniture sincerely worked.

junzo sakakura is selection, tradition, creativity since the exhibition, japan’s unique material and positioning the bamboo bamboo furniture worked on the development of. was seen in various parts of japan at that time fried rice colander (monkey) to explore whether the technology can not be applied to furniture. attempt to use the back seat and chair of bamboo basket chair was completed and is born. be surprised, shimada city, shizuoka prefecture for their architecture and craft miho it is made a member furniture production workshop will be. sakakura sent to the office of a bamboo basket made here, while various attempts in the workshop of officecreated a furniture. architecture and craft miho who is in collaboration, shimada mayor after, masaya mori (current: 99years) . helped me a lot, even the promotion of this exhibition and, curator: mr. omura speaks. i found a valuable panel on the wall of this corner. something very much like the presentation of board……if you look closely SEATING UNIT BAMBOO CHAIR 4 there is a title of. was, kore ka. . . mr. omura and competition board was stoner

1947the fall of the year, the museum of modern art, new york held have been announced (MoMA) sponsored by low-cost furniture design competition . the majority of the world seek, not expensive but are better, but not bulky but comfortable, meet the demands of modern life and production and distribution which is the theme of design competition. variation of the chair seat furniture, bamboo basket of low junzo sakakura challenged in this competition: SEATING UNIT BAMBOO CHAIR 4 . MoMApresentation board at the time that has been left to be found this time, with the version that was exhibited while copying (curator: mr. omura) in this competition the united states about250point, from around the world500applicants point, 2charles eames place (chair of the glass fiber) prize is. sakakura bamboo basket chair of the natural materials and skilled handwork good feel of the orient was kicked out one form of modern knot. system rich in elasticity of the surface is no different from other entries (quote: architect junzo sakakura exhibition catalog,63p) selected to have a reputation for honorable mention by example. there at the moment the world has recognized the furniture, bamboo furniture japan junzo sakakura tackled seriously. now, large door spatial spread to the back right in front on the right hand. chapter two, chapter three, chapter four: living in the city/deploy a variety of residential/work of the architect to create a culture s exhibition space.

in part iv, is, walked along with the furniture architect junzo sakakura, sakakura furniture that fluttered in the world of the milan triennale, and the first5chapter urban design from the chair introducing the. this continued in part. in, to enjoy! …………………………………………………………………………………………… related links of this shiodome museum

the museum of modern art, kamakura, kanagawa museum

(save board) creators exhibition

junzo sakakura exhibition (first part)

junzo sakakura exhibition (part)

architect junzo sakakura /the modernist living moon house, furniture, design exhibition
venue: panasonic electric works shiodome museum
session: 2009years7month4day~9month27day

interview cooperation: panasonic electric works shiodome museum

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