national spoon-ya place the intersection of human warmth

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Piece by piece continuing to make the spoon of the wood, when the air is attached, 12 years. Like the walking of the turtle slowly detouring, with, small thing it came and to here the yu [tsu] coming yu to stack, it arrived, that you speak, or and spouse. You walked the railroad track paralleling from Tokyo national station, whether also the area completely became restful, furthermore with in the place where you think, the po one eaves it is modest primly, is small there was a store.

As for being most familiar in living, the spoon of one

Counter of handmade.The banquet having here.

Opening the garagara [tsu] and the sliding door, it enters into the store. On the furniture of the crate and the chair and handmade it is old, the lacquer and the china and the glass etc, the work to be placed little by, middle the counter of the wood of purity. The spoon which has the body and the gloss which will be been moist, the calm air is flowing inside the store in the wall along with sporadically. At the small studio of the inner part, the form of the man who paints the lacquer silently in the spoon of the wood. Or thickly it does and is. With as for entering “today” kindly, madam or the good quality which is the storekeeper here it is.Can be wrapped relieved in relief, the muscle of the body gradually loosens even with the person whom it visits for the first time.

As for store of “spoon house” opening to September 2006.The same land, it was ready the studio nationally to that, made the work. yuanit was a normal salaried worker with two people. when leaving the company, i want to be manufacturing, it suddenly came up with was thurs. since there was no knowledge to say that, how do i buy a tree where? was the start of groping from a place called . i want to make something of wood, in starting from scratch so hard i think but will not go. what is most familiar to their everyday use, take the hand can feel what the actual, after thinking and arekore, it seems to have arrived was spoon. to get the title of writer woodworking, their was still immature. and say that dealing with the trees, there also would be considered furniture store. i will try to name more if i was simple and easy to understand, ya spoon i put a trade name that .

initially, that was not going to do the shop, mr. and mrs. sakai. thanks was able to shop, solo exhibition at the gallery, etc. i usually get at the sight of different also make, you can feel free to talk directly with customers are, best of all is .

spoon on one side wall lined with beautiful dignified

spoon make of mr. and mrs. sakai, there are only a little kind. small and easy to hold for babies spoon the first time . i seems to be good for everyday use spoon came out from the real is also unique naming. to size and fit comfortably in one’s hand is gentle roundness, and thoughtfulness to the people who use, state itself has been made fun sakai nde i felt. thurs spoon is used to, cherry blossoms, walnut, food-producing tree, such as ginkgo. from dealing with food, is a small commitment. the work of other, perfect for pan and ladle, butter knife, there is also a nest of boxes, such as tray and. often at a loss for words to the expression of glossy lacquer, it was as if we were looking at a painting like.

ya spoon
naka-ku, tokyo national1-1-14 chuang pine needles1floor
TEL: n/a
opening hours: 12:00~18:00
closed mon, tue, usually (for irregular, please contact us)
http://sajiya.exblog.jp/

in the next page, likeclose-up work
wood and lacquer kamoshidasu, deep texture


i want to tell the goodness of the lacquer and diligently

upper left for a baby spoon the first time . trencher and toys are also made

spoon is in the shop, atsushi has cut the trees, make the form factor. mr. kayo is lacquered finish. one work is completed by collaboration of husband and wife. a deeper expression of the tree enough to overlap the lacquer, hand painting becomes not stop, mr. kayo said. expensive, is a strong image of lacquer, in japan, which has been used from ancient times been popular. is not it something so exaggerated. it ‘s good to use in everyday janjan. but surely, i think i spend a little time with feeling rich meal. through the spoon, i think and i hope i go and tell the goodness of the lacquer diligently .


at a glance the studio

our tools for making the spoon

back of the shop is a small studio. we are here to work primarily lacquer paint. photo plate in the upper left to work. upper right is a spoon on the way we finish. if you are lacquered, room (muro) is dried into (lower left photo) . paint is dry, over and over again, quite time-consuming task. by season and weather, subtle changes will occur. as the plants grow, listening to the mood of lacquer, i face every day. lower right is a photo that contains the dye bottle. we use an empty bottle of liquor one cup actually. mr. and mrs. sakai us is like a drinker, this shop on the night of tama, i drink turns into a tavern or standing.


to place up feeling like casually

likeworks of artists lined

to shop, glass, ceramics, objects, such as, the sequence works of artists close. dish blue potter’s work sudo, takuya. mr. wada is a small vase mamiko. not only to introduce what, be nice if they feel that until the background, mr. and mrs. sakai called. rather than shop, we think that coupled with the region where. to go to paper soaked with water, want to go slowly melted comparatively kidney. likeit is human ikika~tsu, such that the warm air casually, i hope such a place would love to be an .

there is also a collaboration of artists who work with sakai