1980later ages in fashion and architecture

Shape “national new fine arts museum” of new fine arts museum

In the January this year it was opened in Roppongi, it is the 5th national fine arts museum in Japan, the “national new fine arts museum”.With the collection of specification, utilizing the domestic biggest display room (14,000m 2), that opening of colorful exhibition, does the collection release offer and education spread etc of information and the data in addition regarding the fine arts, it is the fine arts museum of the completely new shape there are no times which said, are bound in existing concept.

First, arriving at the national new fine arts museum, the curtain wall of the glass where the kind of curved line where conspicuously attracting the eye has been overturned, billows, the front of the building is impressive.In order to agree with the green around, as for designing this building which exists, the architect and the Kurokawa period chapter person who represent Japan.This fine arts museum is designed, pursuing various functionality, such as earthquake safety measure, the energy-saving resource-saving measure due to the reuse of underground natural ventilation and the rainwater and the completion of the communication passage which in addition is connected directly to the subway Nogi hill station with barrier free correspondence and the exemption shaking device by the elevator of wheelchair specification, both design functionality has become the building which is superior.

also, new of which the motif is the kanji, i worked on the design of the logo and type the new symbol of the national museum, the past severalhas been awarded the prize of, talented art director/kashiwa sato is the creative director. according to mr. sato, along with the construction newness spirit of innovation originality evolving spirit shall be representation symbolized the. and, people involved in the establishment of this museumaggregates the flow of thought common to the heart of, of japanese art world, marked with the symbol was designed by the feeling that such a representation must be capable of sending a message to society for the future from the present. and that. new of which the motif is the, all elements, through the design of angle has been opened and all, feeling that comes through as.

(CONTENTS)
Page2: explore the approximation of fashion and architecture
Page3: the concept of common
Page3: forms of generation
Page4: configuration technique
Page4: fusion of the two

following page in, immediately, inside of the national art center, skin+bones let’s view an exhibition.

explore the approximation of fashion and architecture

not limited to works of art such as paintings and sculptures, the national art center as a new attempt, 8month13it is being held until the day, to introduce the movement of recent years in fashion and architecture skin+bones—1980later ages in fashion and architecture exhibition.

so far in fashion and architecture, since the birth of mankind, role as a shelter to protect the human body, also social, personal, despite some similarities as expression of cultural identity, fashion and architecture, common denominator between the two that was not taken up.

but, 1980later ages, fashion and architecture shortening the distance of each other, matching as the stimulus. for example, we fashion designer, use a cloth, started making clothes and complex building, in the field of architecture, that lead to tailoring technology, has produced a more complex form. it, especially like the computer and otherinnovation is, and modeling can be achieved free, considered to be brought about changes for the relationship between the surface and structure.

this exhibition, architect active in the world today, for example, frank gehry, shigeru ban, toyo ito, kazuyo sejima+ryue nishizawa/SANAA, model of the project from the interior product designer tokujin yoshioka has also worked, photo, and images or, fashion designer, for example, hussein chalayan, alexander mcqueen, victor&rolf, com de boy, yohji yamamoto, issey miyake, narciso rodriguez, olivier tisukensu, martin margiela, clothes, such as dries van noten has produced, 21countries about40name of work, total230the exhibition has become a luxury that point too much work to consolidate.

these works in this exhibition, concept, form, configuration, be verified visually by as cut and technique, 1980the main flow of the fashion and architecture of later ages have become grasp.

following page in, skin+bones cut to form concepts and as an exhibition, we will verify.

the concept of common

this exhibition is notable, consideration by the cut of its own way. first, missing the entrance of the exhibition, spread and set foot section is a step in the venue the concept of common . this the concept of common is3one item— identity shelter the creative process it consists of.

identity are exhibited in the field of, it is eye-catching first hussein chalayan afterwards collection (2000autumn and winter) .

4and chairs1one round coffee table is placed in the middle of the stage almost, model wearing a simple dress there4people appeared. individualmodel closer to the chair, remove the cover, changed dramatically to dress and to wear it. and, and fold up the chairs that we model, changes in the carry bag chair. at the end1human model appeared, if you wear a coffee table, the skirt consists of several circular. and, the final collection will be left only an empty room.

in this show, chalayan is the identity and as turkish cypriot based in london, 1990did you express the problem of refugees and their own sense of belonging in the balkan conflicts of the age. that is, left the home carrying the clothes of their own, it suggested itself to live in other places as a fashion designer. way to an indirect representation of identity, rather than a fashion designer, and artists who might be appropriate rather it.

other, victor&of rolf russian doll haute couture collection ( n/a autumn and winter) in, as like russian dolls, by going repeatedly to layered clothing, heading or the concept of shelter, frank gehry’s walt disney concert hall in, of the building complex, such as cell shape the image of the ship sail in flux, or and you can see the process of creative process from initial idea, a planar material3Dyou can glimpse the process we created to form the structure of the.

forms of generation

forms of generation is, geometry vu~oryumu configuration it consists of. form a geometric, material, from the relationship between structure, for construction has been present as a fundamental element. and, in the fashion curve that wraps around the body, linear form, but was not in the form of basic, i have a fashion designer was inspired by design from geometric.

these in fashion and architecture, in recent years the relationship between the two, preston scott cohen tel aviv museum of art (2004－08years) or, isabel toledo packing dress (1988spring-summer) this section is considered go from.

and geometry on the contrary, vu~oryumu form of a dense and complex and, until this was only in the field of fashion that can be achieved in. for example, junya watanabe-com de boy or techno-couture collection soiree (2000－01fall-winter) can be thought of as a typical example and.

but, as i mentioned earlier, in recent years by technological innovation, in the field of architecture not only fashion, modeling to make sense of vu~oryumu is now possible. toyo ito+andrea buranji cultural forum, the city of ghent competition entry draft looking at the, it would be obvious.

following page in, skin+bones let’s look at from the point of view of the configuration of the techniques and exhibition.

configuration technique

that it has been exhibited in the middle of this exhibition just configuration technique . structure of the skin, building/deconstruction/reconstruction, make a drape, fold, hang, jut out, wear pleated, wrap, to print, said and weave10this section was classified to item, 1980later ages in fashion and architecture, it is possible to verify the common point of an idea or technique of the two techniques.

for example, shigeru ban house curtain wall (1995years) in, in addition to the twist in the system structure of the glass curtain wall that, is the outer wall of the building that used to create a curtain wall with a cloth. this is divided into items such as creating a drape.

other, ten yori winding torsion, was to puff cotton hoist dress (2006than spring-summer collection) or, miralles+taguriabue (EMBT) santa katerina market (1997－2005years) such as, make sure with which each item is classified as, it will also interesting to watch an exhibition around.

fusion of the two

and, the final section is finally fusion of the two . for example, tester architect&weiser is, yoshiki hishinuma is a fashion designer of inside out2way dress (2004spring-summer) inspired by, the development of carbon fiber textile materials are, it was applied to the construction carbon beach house (proposed plan) (2006years) . would say work that expresses the fusion of architecture and fashion just.

also, i’m looking forward to a personal collection every time, victor&of rolf cowabunga immateriality , or blue screen collection (2002－03fall-winter) is, it also impressed with innovative ideas. intense shade of cerulean blue that can be read as a blue screen is being used on clothes, their ideas and special effects screen moves a model walking down the runway. worth a look, is.

skin+bones—1980later ages in fashion and architecture in ten, you can consider the correlation for each section in fashion and architecture. come, please try carrying a foot.

(interview cooperation)
the national art center

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